When Beeswax and Tamarind Paste Become Breathtaking Art: The World of Ranjani Shettar
Step into the wondrous, delicate world of Ranjani Shettar, where humble materials like beeswax transform into vast, poetic installations that breathe with life.

Imagine walking into a gallery and finding yourself face-to-face with a sprawling, ethereal cloud, seemingly suspended in mid-air, shimmering with an inner light. Only, it's not a cloud, and it's certainly not traditional sculpture. Welcome to the captivating, often surprising, universe crafted by artist Ranjani Shettar.
Based in Bengaluru, Shettar isn't interested in the usual bronze or marble. Instead, her chosen materials are often startlingly humble, yet in her hands, they achieve a monumental poetry. Think beeswax, tamarind seed paste, silicone, cloth, steel, wood, and occasionally, even industrial detritus.
Her studio must be a fascinating space, more akin to an alchemist's garden shed than a typical sculptor's workshop. She meticulously works with these organic and industrial elements, transforming them into large-scale installations and delicate sculptures that seem to mimic nature's own intricate designs, yet pulsate with a distinctly human touch.
What emerges are works that feel both ancient and futuristic, organic and engineered. They are meditations on time, growth, decay, and the delicate balance of our ecosystem. Her pieces often demand a slow, deliberate viewing, inviting us to lean in and truly observe the intricate details, the play of light, and the unexpected textures.
Ranjani Shettar reminds us that true artistry isn't about the grandest material, but the profoundest transformation – turning the everyday into the eternal.
One might encounter a vast piece crafted from thousands of beeswax spheres, held together by fine copper wire, resembling a galaxy in miniature, or a river of hand-dyed cotton and steel, flowing silently across the floor, inviting contemplation on the passage of time.
Shettar's work doesn't shout; it whispers, drawing you into an intimate dialogue with the materials themselves. She makes us reconsider the potential of the overlooked, the beauty in the temporary, and the quiet power embedded in natural cycles.
In a contemporary Indian art scene often vibrant with bold statements, Ranjani Shettar offers a refreshing, deeply contemplative alternative. She proves that some of the most profound artistic statements can be made with the humblest of ingredients, reminding us that wonder can truly be found everywhere, even in a block of beeswax or a spoonful of tamarind.


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